We are pleased to announce that applications are now open for our flagship residency Peers!

  
We welcome submissions from young and emerging creative practitioners, final-year MFA students (as well as those who graduated within the past two years), and self-taught artists with a minimum of two years of experience in the field.

  
The Peers residency offers selected artists a unique platform for dialogue, experimentation, and meaningful exchange to 5 Artists-in-Residence and 1 Critic-in-Residence.

This year, the Peers residency will be 6-weeks long and will provide emerging artists a platform for dialogue, experimentation and exchange.

Open Call: Peers 2025

The European Emerging Bands Contest is open and calling for European artists to take the stage at EYE2025 (European Youth Event). The EYE is an opportunity for 16- to 30-year-olds to inspire and get inspired, to debate directly with Members of the European Parliament and other European decision-makers, and to exchange views with experts, activists, and content creators.

  
This contest offers an opportunity for solo artists and bands (up to 6 members) to showcase their talent and make their voices heard. If selected, artists will perform on the 13 and 14 June 2025 in front of the European Parliament in Strasbourg, France.

The prize:

* A 30-minute live performance at EYE2025
* **Travel and accommodation expenses are fully covered**
* 1,000 EUR prize per band or 500 EUR per solo artist

European Emerging Bands Contest

CICA Museum invites artists worldwide to participate in the Contemporary Art Solo Show Series and the publication. Each selected artist will have a solo exhibition for a week (Wednesday – Sunday) in the gallery space (around 44m2). The artists will be also featured in the the e-book, “CICA Art Now 2026,” which will be available via Amazon Kindle. The printed version will be available by order.

  
\*The categories include:

– Painting

– Photography

– Sculpture and Installation Art

– Performance

– Video & New Media Art

  
\*Timeline:

April 14, 2025: Close submissions

April 17 – 30, 2025: Approvals: Selected artists will be notified by email.

Between January and June 2026: Contemporary Art Solo Show Series

August 1, 2026: Expected publication date of “CICA Art Now 2026”

  
\*How to submit your work: Please visit our website for more information.

https://cicamuseum.com/call-for-artists-contemporary-art-solo-show-series/

CICA Contemporary Art Solo Show Series Spring 2026

**Visual Art Journal** is a magazine that selects and publishes works of talented emerging artists.

Magazine features up to 120 elegantly designed pages, printed on high-quality paper and is **distributed worldwide**.

Artists are encouraged to submit their work. **Submission is free** for all applicants.

Submissions are open to artists from any country who are 18 years and older. **All forms of visual art are accepted**.

Selected artists will be featured in both the print and digital versions of the magazine.

Chosen artists will receive a free digital copy of the magazine (in PDF format) and photos of their physical magazine pages.

All selected artists will also be featured on our Instagram account (**50k+ subscribers**).

The magazine is curated by artist Anna Gvozdeva.

Application is free, but a $20 fee applies for each selected artist

Publication in Art Magazine: March & April 2025

The Rhode Island State Council on the Arts (“RISCA”), in conjunction with the new RI State Health Laboratory (“RISHL ”) will exhibit artwork in the building's gallery corridor, through the Allocation for Art for Public Facilities Act. Rhode Island’s Public Art Law mandates that 1% of all state capital construction and renovation funds be allocated to the acquisition of works of art to be placed in public places constructed. Through this program, the State recognizes that “public art creates a more humane environment: one of distinction, enjoyment, and pride for all citizens.”

  
**About the Call**

The selection panel met in February of 2025 and determined that temporary rotating exhibits in the first floor "gallery corridor" are desired. This area is used by all within the RISHL as a main artery to other parts of the building as well as break space. A hanging system and dedicated lighting have been planned, as is hallway seating. This corridor is 60' long x approximately 7' wide, and has 6 available walls along its length, each wall approx. 5’ wide x 13’ high. The walls will be visible at sidewalk level through the windows. The windows have UV protection and are impact resistant. There are no window treatments planned. Combined, these factors make the corridor an excellent site to display artwork. 

  
The panel members hope for artwork that celebrates the intersection of art, science, and innovation. Artwork could explore themes of nature, environment, science, innovation, discovery, health, and/or safety. For example, artwork could connect to the natural environment such as water, air and land, botany, biology, or aspects of health and safety, or wonder and discovery. The periodic rotation of the artwork can keep their audience engaged by showcasing a variety of work. Artwork might help the public connect to the work that the SHL does. 

  
**Timeline**

* May 2025, panel selects exhibitors. It is anticipated that two exhibitors will be selected for the first year (July 2025-June 2026).
* First exhibit July 2025-January 2026.
* Second exhibit January 2026-June 2026.
* March 2026, new Call for Art for exhibitions July 2026-June 2027.

  

$2,500 honorarium for the 6-month artwork loan

Exhibition at New State Health Laboratory Gallery, Providence.

RI Department of Health Laboratory - Call for Art

The City of Westminster is seeking to commission a permanent, significant public artwork to be placed in the newly emerging downtown area. This artwork will serve as a signature element of the downtown and be positioned at a prominent location within the Westminster Center Park which is currently under construction. The goals for this public artwork are to foster a sense of place, create a unique identity for the area, and strengthen community connections. We are inviting experienced artists or teams of artists to submit responses to this Request for Qualifications. The anticipated installation date for this public artwork is Spring/Summer of 2026.

  
**Project Description**

The City of Westminster seeks a forward-thinking, unique, and monumental piece of public art that will serve as a symbol of the city's progress, inspire community pride, and become a community and regional landmark. This public artwork should be:

* **Welcoming and vibrant**, creating an impactful first impression.
* **Highly visible and significant in scale,** with a commanding presence that is visible from all approaches to the downtown.
* **Reflective of Westminster's future and past**, embodying energy, progress, and innovation and a nod to our past by incorporating elements of flight and a shared community gathering place. See additional materials for more information.
* **An extension of the vision for Downtown Westminster,** the Downtown Specific Plan, adopted by City Council, sets a vision for downtown as a vibrant community gathering space. See additional materials for more information.
* **A** **striking visual statement** that leaves a lasting impression and becomes a must-see landmark.

  
**Artwork Design and Safety Guidelines**

The artwork should:

* Be durable, safe, and require minimal maintenance.
* Be fabricated with permanent, weather-resistant materials.
* Be visible and engaging from all entry points to the downtown, both day and night.
* Be large enough to dominate the central space of the downtown. Dimensions should align with the scale of the downtown park and plaza to ensure a bold and prominent presence. See additional materials for more information.
* Be encouraging of pedestrian interaction with the artwork.
* Be family friendly and provide consistent messaging with the City’s adopted plans and polices.
* Include an integrated lighting plan that enhances the artwork's visibility and aesthetic appeal at night. The night-time view should be given equal importance in the design process to create a compelling visual experience during all hours.
* Have all necessary engineering certifications to ensure safety requirements are met.

The downtown park is scheduled for completion in the spring/summer of 2026\. The artwork should be ready for installation concurrently with the final completion of the downtown park.

  
**Timeline**

* **Shortlist Notification:** April 28, 2025
* **Concept Proposal Development:** April 28 - May 28, 2025
* **Concept Proposals Due:** May 28, 2025
* **Presentation of Concepts to Artist and Art Selection Panel:** Week of June 2
* **Community Presentation of Concepts:**
* Open House with Downtown Westminster Business Association – Date TBD
* Other opportunities TBD
* **Final Selection & Concept Approval:** June 16, 2025
* **Installation Deadline:** Spring/Early Summer 2026

  

The project budget is $250,000 which must cover all expenses including artist fees, materials, tools, travel, transport, installation, and other associated costs. The City will provide up to an 8’ 8” diameter concrete pad and perimeter lighting. 

  
Artwork exhibited in Westminster, CO.

Downtown Westminster Signature Artwork

In its ninth year, the City of Westminster's Sculpture on Loan Program provides an opportunity for the community to learn about and enjoy art displayed in the Vicky Bunsen Sculpture Garden Park and as part of the Downtown Westminster Art Walk. The Sculpture on Loan Program provides an opportunity for artists to prominently display their artwork in unique areas of the City for the public to enjoy. 

To further the community's goals related to art and culture, the City of Westminster has made significant investments in the both Historic Westminster and 

Downtown Westminster. These areas have received investments in park amenities, marketing, and community events. The City markets the areas through the delivery of events designed to attract both local and regional attention which include the Summer Block Party, Arts Week, Art a la Carte, local community artisan festivals, summer history tours, and monthly art walks. 

Artists wishing to have their sculpture(s) installed and displayed in these venues should review the following requirements and submit an application along with the requested supplemental materials. Up to fourteen sculptures will be selected for display during the 2025-2026 Sculpture on Loan Program. Artists may submit more than one application.

Applications for the Sculpture on Loan Program will be reviewed by the City's Cultural Affairs staff and members of the city's Art Selection Panel with respect to materials, overall presentation, aesthetic quality of the artwork, craftsmanship, appropriateness of the artwork, maintenance requirements, and financial considerations. Additional review and input will be provided by the community at community events and through online engagement methods.

  
**Artwork Requirements:**

Sculptures should be garden size or larger with a minimum of 3 feet in one dimension. The artwork must be designed and fabricated for long-term outdoor durability and ease of maintenance, including strong winds. Acceptable materials include metal, stone, or similarly durable material; wood will not be accepted. Sculptures taller than 12 feet will need a certified engineer stamp of approval to be considered for installation in a public area. Artwork must be able to be welded or bolted to a metal display base, bolted to a concrete pad, or bolted to a sidewalk. 

  
**Display Requirements:**

The selected Artwork shall be on display for the duration of the 2025-2026 Sculpture on Loan Program period which is late May/early June 2025 through late May/early June 2026\. If the Artwork is removed (through sale or other reasons), a sculpture of equal or greater value, created by the Artist and approved by Cultural Affairs staff, shall be installed within 7 days of the original sculpture being removed. The Artist will be required to complete a signed Agreement and secure appropriate documentation and insurance for the replacement Artwork.

**Sales:**

All Artworks must be available for purchase. Sales will be encouraged to further the efforts of the artists and to stimulate acquisition of original art by patrons and the public. 

  
**Marketing:**

The displayed works will be regionally promoted through the use of print and digital platforms. The artist understands and agrees that these marketing methods shall be used for the period that the Artwork is on display. The displayed Artwork will also be promoted through events in Historic and Downtown Westminster.

  
**Calendar of Important Dates:**

Late May - Installation - Dates and times TBD

Late May/Early June 2025 through early May 2026 - Marketing and Promotion

Mid/Late May 2026 - Deinstallation of Artwork

The artists selected will receive a honorarium of $750 after acceptance and installation of the Artwork. 

  
Exhibition with City of Westminster's Sculpture on Loan Program.

2025-2026 Sculpture on Loan Program

An entry fee of $20 is required and necessary to support our advertising campaigns, promotional materials, and various administrative costs. To promote inclusivity and diversity, we offer merit-based and hardship fee waivers to citizens of a nation in a state of war or unrest, and those living in a country with a low economic index. If you require assistance submitting your work, contact us with a brief statement requesting a fee waiver.

The Assembled Image explores photography as a constructed form, where reality is rearranged and reinterpreted. Through collage, composite, digital manipulation, or traditional composition — photographers can push the medium's boundaries. The Assembled Image invites photographers to assemble components and moments into something new, shifting how we comprehend the narrative of the captured image. The Assembled Image is an international open call for photographers ages 18 and older. ​​​​​​​All forms of two-dimensional images, traditional and non-conventional media, and conventional or alternative photographic processes with a subjective analog or digital photographic base are welcome for submission.

The Curator, Director, and Juror(s) will select approximately 35 images for exhibition in The Chateau's Online Gallery (TCG). TCG's management system (CRM) creates an entrant profile and categorizes submissions into themes upon successful submission. You will receive a confirmation email upon receipt of a successful submission. Submissions will be stored in the CRM "flat file" for one year for consideration in the current and future exhibitions. Jurors for TCG are a rotating assortment of past exhibitors, curators, editors, and members of various fields in the arts and culture sector. We believe in a "blind" jury process in which the juror is unaware of the photographer's identity. The selection process is based solely on the image and its title. Providing an image description is optional but is highly encouraged. TCG will notify entrants by email of the juror's selections. Notification is usually 10 to 12 days after the exhibition closes for submissions.

Call For Photography: The Assembled Image

Projekt Atol (Slovenia); Goethe-Institut (Germany); Izolyatsia (Ukraine); MeetFactory (Czech Republic) and Tallinn Art Hall (Estonia) are jointly calling for European art practitioners to apply for **one of eight two- to three-month production residencies taking place in Ljubljana, Prague, Tallinn and online**.

Computation and automation are reshaping global political dynamics, challenging established sovereignties and necessitating a fundamental shift in our understanding of politics. The rise of algorithmic influence on our decisions based on rapidly evolving AI technologies prompts questions about preserving personal and national sovereignties in a post-surveillance information society, and the role of art in reflecting this shift.

Establishing technological sovereignty becomes essential for preserving democracy, countering the trend of individuals being treated as mere users and commodities by the extractivist tech industry, while autocratic tendencies disguised as protection of the sovereign state are one the rise.

This project believes artistic projects can foster awareness and drive shifts in the relationship between technology and power. The project invites artists to engage with information technologies as integral to society rather than as mere tools.

During the residency, participants will develop artworks that engage with the project’s core questions. Existing projects may also be further developed within this framework. The outcomes will be presented at the hosting institutions and may be included in a final exhibition at Galerie Rudolfinum in Prague.

  
**Residency period:**

* Projekt Atol: 2 months between August-December 2025
* MeetFactory: August-October 2025
* Tallinn Art Hall: August-September and October-November 2025
* Izolyatsia: 2 months between August-October 2025

Each residency includes **travel**, accommodation, a monthly stipend (1,000 EUR net) and production costs (up to 3,000 EUR). In case of artist groups, the stipend and production costs will be split among the group.

DATAS: Data and the Sovereign Residencies

SUNY Oswego seeks proposals for outdoor sculpture for the school’s main campus. Two artists will be chosen to install artworks in a centrally located lawn area adjacent to SUNY Oswego’s Campus Center. Selected works will be on view for a three-year exhibition and become part of SUNY Oswego’s campus. SUNY Oswego has a student body of 8,000 students on a 690 acre campus. It is situated on the shores of Lake Ontario adjacent to the City of Oswego, population 18,000\. 

  
**Design Considerations:**

The site of installation is a highly trafficked pedestrian area of the SUNY Oswego main campus. It is totally open to the elements and SUNY Oswego can be prone to very harsh winter weather conditions including high winds. Each sculpture will be sited on its own round 8’ diameter concrete pad. Installation pads will have no access to independent electricity, lighting, etc. Accepted sculptures must be designed to be securely bolted to this pad. It is suggested that wedge anchors of at least ½” thickness be used. 

  
Each proposal must include statements regarding how the sculpture will be secured, the durability of the sculpture, and how it will not negatively impact public egress or safety. 
  
  

**Exhibition** a**t** SUNY Oswego

**Budget:** Each artist will be awarded a one-time stipend of $2,000\. This stipend is to cover the cost of all materials, transportation, installation, de-installation, and artist fees.

Outdoor Sculpture Initiative: Request for Proposals

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