Lavinia is a sculptural painting comprised of skins made from acrylic binder, urethane, ultralight, and branches built on a foam and wire armature attached to a canvas.

Lavinia

TEMPORARILY PACIFIED reveals hope for the future. through its multiple layering,

TEMPORARILY  PACIFIED

"Maybe you should scream" is artwork from the project "Feel your moving blood".

The artwork was presented at De Bouwput Gallery in Amsterdam, The Netherlands.

Created during AGA Lab Residency. 

  

Maybe you should scream

How do we express the humanity of a place? To capture the humanity of the Oculus, I focused on its geometry and drew inspiration from the BAUHAUS movement and Kandinsky's model. My piece uses shapes and colors to evoke emotions and speak to the essence of the place.

Recomposition No. 09

**_'Let It Go'_** is a visual display of self-sabotage. Whether consciously or subconsciously, sometimes we can be our own worst enemy, often hindering our own success.

Let It Go

Even though sometimes these images might give the wrong impression of there existing an abundance of space in this city, of huge skies and clouds that stretch from east to west, whilst on the ground, all the buildings seem to be resigned to their fate, not unlike passengers in a packed metro during rush-hour... this false perception of "natural

space" is nothing more than that, a false perception.

Down there in the asphalt, the windless, car-choked and polluted streets make no sense as motorbikes zoom by in between lanes, kicking any rear view mirror that might happen to be left in their way. Down there, on the sizzling asphalt, there is definitely no sense of an abundance of space.

Go inwards, Breathe. Carry on.

or go mad.

Improvised Character Performance inside XOMIA by Colin Self and Molly Mccommons, directed by Kai (Kari) Altmann aka Hitashya

Flexia XLE (Flexing, Xoming)

"Small Talks By The Border," explores the fluidity of identity and its classification in contemporary intercultural power dynamics. The border—a symbolic space where identities are both constrained and liberated—the installation probes the complexities of nationality and its impact on social categorization, using passports as tangible artifacts of identity. Small talk by the border questions identity and nationality and its role in shaping our understanding of reality. This is the border, a non-space where subjectivities are lost in rigid classification, morphing between conformity and non-conformity.

Small talk by the border

\* _FabricDrawing_ began with my exploration into the diversification of painting space. While fabrics replace paints in my work, they don’t necessarily hold a higher significance than mere material. I use fabrics to express a painting spaceratherthantoreproducethe “actofcreatingsomething” ortoembodyastory.

Through painting, I explored various spatial dimensions and expanded my bounds of expression from planar space to architectural space. Facing the moments that imprint in me, whether special or ordinary, I take those momentary emotions and capture my experience-based interpretation and impression in my work.

Fabric can be manipulated into limitless forms: tightened or loosen, tied or untied through knots, or patterned. Variations in texture, thickness, or elasticity show different personalities and emotions. Colored fabrics can be stretched to become thin to the point they appear translucent. Overlapping fabrics of different colors with stretched and translucent fabric creates a new harmony with a mixture of colors, textures, or both.

What I intend to achieve here is to reveal the relationships between what is already visible to the eyes and what has yet tobeseen.Toexplainsuchanabstractideawithmyownwords,Iwouldsay, “Nevertheless,intheend,thereexists us, forming relationships in a harmony.”

Layers of fabric are more powerful than a single layer of fabric. Similarly, rather than existing on their own, colors stand in a balance of or contrast with other colors to have a meaning. Fabrics that have been spread, stretched, hung, and overlapped to create a new screen, build stronger and sturdier layers that provide a foundation and impetus for each other, just like in our life.

\*I named my work as _FabricDrawing_.

In its literal sense, it is a painting technique that uses fabric as a tool. Painting, in a general sense, is defined by lines. In modern painting, however, the definition of such genres has blurred and become meaningless. In my work, a fabric replaces a brush and leaves lines behind on a canvas. Using fabric as a means to create lines, my work embodies planes and space. In the same sense as diversifying the painting space, I believe fabric drawing is also a spatial painting in a broader scope.

Fabric Drawing #144(The right to walk)

«Голубь мира» The Forgotten Artifact

**vision art:** 

Capturing the cold, and hustle in NYC.
  
  
Framed and Available

In a Hurry NYC

_(Un)premeditated Inheritance_ is an installation consisting of one hundred and eight 20mm anti-aircraft bullet shells filled with my hair and trinitite, a radioactive glass formed from the heat of the first Atomic bomb testing in New Mexico. I am fascinated by the idea that my very existence is rooted in two significant historical moments: the birth of the atomic bomb in New Mexico and the bombing of Hiroshima.

  
The first ever Atomic bomb exploded into the world in the deserts of Alamogordo, NM in 1945\. Two weeks later, the first weaponized Atomic bomb was dropped in Hiroshima by the Enola Gay B-29 bomber. At the time, my grandfather was 15 years old and compelled like many others to work at an ammunition factory to produce anti-aircraft bullets. It is there he experienced the blast from the bomb. He survived the explosion but later learned that most of his family did not.

  
The contents of these WWII era practice rounds, my hair and the trinitite, are grounded to the point that they resemble gunpowder; perhaps a newer form of ammunition to be used for either protection or attack. Both trinite and myself are accidental byproducts of war, as are so many others. This new fusion marks a more complete and fuller story of my origin that started long before my own birth. The two opposing moments in history come together and are still present within my body and experiences today; neither one exists with the other.

(Un)premeditated Inheritance

calm before the storm

Nefelibata

(n.) "Cloud Walker"; one who lives in the clouds of their own imagination or dreams.

Nefelibata

From the inspired reading of _The Poetics of Space_ by Gaston Bachelard (1884-1962), in which building parts are carefully examined psychologically and revered intimately. I use ‘steps’ as the subject and apply it in his manner of investigations on a sculpture. To express a thought, an outdoor staircase waiting to be climbed to the roof is diametrically different from the one buried in a dungeon with little to no daylight.

 This work is an attempt to explore on the senses when a person is confronted with an archetype inherently imbued with antagonistic values.

Bachelard's Steps

"Was" is a series of abstract and expressionistic paintings that delve into the raw depths of human emotion. Each canvas serves as a vessel for the intense and visceral experiences that shape our lives, capturing the essence of fleeting moments and past feelings.

  
In this collection, I explored the complexity of emotional landscapes, employing bold brushstrokes and yellow color palette to convey a sense of raw energy and intensity. Through the expressive interplay of light and shadow, texture and form, the paintings evoke a powerful sense of nostalgia and longing, inviting viewers to reflect on their own personal journeys and the emotions that define them.
  
  

3 On One

  
Insect hotel made for Vacaresti Natural Park, Bucharest. This place is periodically affected by fires and has long been disputed between biologists and real estate investors.

  

insect hotel

Balance, akin to being grounded, entails stability and harmony. Just as a grounded person maintains equilibrium in emotions and actions, balance keeps us steady amidst challenges. It's about finding stability while adapting, rooted in the present moment, preventing us from being swayed by external forces.

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